mount_oregano: portrait by Badassity (Gredos2)

This is an excerpt from an article I wrote 30 years ago, and I still remember Dawn's words. She went to high school in Oak Creek, Wisconsin, where she was a member of the school's Explorer Post 1841, made up of the school's special education class.

The students were planning a trip that would include a four-day cruise on a tall-masted sailing ship and a day at Disneyworld. They were involved in the decision-making from start to finish. They had raised their own money and arranged to bring a small sailboat into the high school's pool to practice swimming and sailing techniques. They had studied ways to handle long days cooped up on a bus. Their teacher knew they would learn important life skills.

The trip was a success, by the way.

I interviewed the class before it left, and this is part of my report. While some of the language has changed over the years, the lesson the students taught me is still fresh.
………

"It stinks!"

That's what it's like to be called "retarded," according to Karen Gass. "I'm just a slow learner," she insisted.

But some of her classmates didn't like being called "slow learner," either. "Special education students" sounded better to them.

"Normal" was what Dawn Cain wanted to be called.

Karen, Dawn, and about 20 other teenagers are members of an educable mentally retarded class at Oak Creek High School. But calling someone "mentally retarded" is a strong label, which the students easily understand.

"I'm not retarded. Otherwise I wouldn't be talking," Karen said. "Do retarded people make their own jewelry? I don't think so."

According to the students, to be retarded means being ready for an institution like Southern Colony in too many people's minds. These students are able to handle their own lives. The label overstates the case for them, and they consider "retarded" an insult.

"We don't call other people names," Dawn said. "They shouldn't have to call us names."

"I have to take longer to learn something," Karen added. "But we can do the same things anybody can."

"We can't help it we're slow learners," Kevin Waterstraat said.

According to the United Association for Retarded Citizens, 95% of all retarded children and adults are only mildly retarded. They can be educated in public schools, live independently, hold a job, be self-supporting, vote, and marry.

Some of these things are in the future for these Oak Creek students, but the pressures of growing up in a world that has labeled them causes immediate problems.

Karen defended her preference for being called simply a "slow learner" rather than a member of a special class. "I don't feel that I want to be called special. I feel I'm pretty much normal. It's just that I learn things slower than others."

When Kevin talks about his schooling, he talks about his courses and teachers. To him it's just schoolwork, the same as anyone else's.

Dawn insists that people who don't like the fact that they have learning problems aren't real friends anyway.

It still hurts. For this class, the issue was brought up when a newspaper article last fall told how "a group of educable mentally retarded students will spend four days sailing off the coast of Florida this spring.... For the last eight years, part of the curriculum for the mentally retarded students has been an adventure trip in the Explorer Scout program."

The article was factual. The class makes up Boy Scout Explorer Post 1848, and they will be taking a nine-day trip to Florida that will include time sailing on a ship in the Florida Keys. But the students thought the article was misleading in its use of the term "retarded."

For the students, the coming trip is a chance for them to prove how normal they are, as well as a chance for exploring, experimenting, and fun. They are determined to have a successful and educational trip, so they are earning and budgeting their own money and actively planning for potential problems on the trip. They draw on experiences from past trips.

"We argued sometimes about who had to do what," Keith said.

"Yeah, but we girls did all the work anyway," he was reminded.

The students are divided into four teams, and each team elects its own leader or has their teacher, Kathy Dermody, choose a leader. The teams will be responsible for different tasks each day, such as cooking.

On their canoe trip last year to Flambeau Flowage, they learned how to handle emergencies. Collapsed tents and wood ticks were easy. Getting lost in the woods was more scary, but each Scout wore a whistle to use to locate the rest of the troop.

But when one member came down with appendicitis, they were all tested. He braved being alone and sick far from home in a strange hospital, while his classmates remained responsible for themselves while their chaperones attended to him.

Students have benefitted from the trip in other ways. Kevin will have a job this summer as a counselor at a camp for handicapped children. "I learned things on the canoe trip I can teach these kids," he said.

Students have plans for after graduation. One wants to work in day care. Earl Johnson hopes to be a truck driver, and Mrs. Dermody notes ruefully that he may earn more money than she does as a teacher.

The point of the trips for the students is "to see what we can do." They find out, says Mrs. Dermody, and it's worth it.

"Some people are good at some things like reading and math," Karen said, "and some people are good at other things, but everybody's good at something." She knows it might take her a little longer or require a little more effort, but she really can do the same things that other people do.

— Sue Burke

Also posted at http://www.sue.burke.name

mount_oregano: portrait by Badassity (Madrid)



Late one Saturday night, February 12, 2005, a woman working in an office thought she had put out her cigarette butt before dumping her ashtray into the wastebasket and leaving.

At 11:09 p.m., the building's sensors detected smoke on the 21st floor. A security guard went up to look, saw evidence of a small fire in a locked office, and at 11:19 p.m. called the Madrid Fire Department. They came promptly and investigated. It didn't seem especially serious.

It shouldn't have been. The automatic fire suppression systems in many modern buildings can put out a wastebasket fire without human intervention. The Windsor Tower, rising 28 floors in Madrid's financial center, had been built in 1979 with state-of-the-art systems for the time, but technology had changed over the decades. Ironically, a sprinkler system was being installed in the Windsor Tower, but it wasn't yet operational. That could have changed history.

Instead, the fire quickly spread through the 21st floor, and then up and down central vertical conduits full of cables, burning the plastic that covered wires. Soon, the firefighters realized that all they could do, despite pumping more than a million gallons of water on the fire, was to keep it from spreading to neighboring buildings.

My husband, who had been up late watching television, woke me at about 1 a.m. to see the live new coverage. An inferno was consuming the skyscraper and growing bigger by the minute. Pieces of the exterior crashed down, revealing desks glowing with flames. Burning papers and litter flew through the neighborhood. Finally the upper floors collapsed in a terrifying spectacle.

By 7 a.m., the fire had reached the first floor. I awoke to a column of smoke on the horizon that continued to rise for hours. The fire was not declared extinguished until 7:20 p.m. Although some firefighters were treated for smoke inhalation, amazingly, no one was seriously injured or killed.

Here's the lesson about backing up your data

Deloitte, a major international audit and consultating company, occupied the upper 20 floors of the building. It had a policy that required every single piece of paper generated during every working day to be scanned and sent to off-site storage, along with all electronic data. I'm sure that employees found this annoying. But it paid off.

On Sunday, Deloitte's managers rented temporary office space. On Monday, its employees showed up for work as usual. It had been a disaster, but not for Deloitte or its clients. For them, it was just a somewhat more interesting Monday.

The moral of this story is that you can lose your data — your precious novel manuscript, your financial spreadsheets, all that stuff in your computer and on your shelves — if your house catches fire or is destroyed in a flood, or if your computer gets stolen or dies. But you don't have to.

Lots of people can give you excellent instructions about how to do that. I hope I've given you motivation. Here's some advice about backups:

Simple, practical tips, including a very easy idea in the comments.
http://www.dailywritingtips.com/back-up-your-writing/

More useful suggestions.
http://blog.janicehardy.com/2011/01/wait-back-up-protecting-your-writing.html

From a small business perspective.
http://sbinfocanada.about.com/cs/management/a/databackup.htm

And, if you're interested in the fire:

El Mundo newspaper has an amazing gallery of photos. The photo above comes from there.
http://www.elmundo.es/documentos/2005/02/windsor/index.html

El País newspaper has excellent explanations, in Spanish.
http://www.elpais.com/graficos/espana/Incendio/torre/Windsor/elpepunac/20050214elpepunac_1/Ges/

— Sue Burke
Also posted at my professional writing website:
http://www.sue.burke.name

mount_oregano: portrait by Badassity (GreenAsAThumb)



Football, basketball, and baseball are the most popular spectator sports in the United States. In the rest of the world, it's soccer (association football). Why don't U.S. fans like soccer? Many Americans say there's not enough scoring, which makes for a boring game, and outside of the U.S., some say Americans don't like it because it's an international sport, which means it can't be controlled by the United States.

I believe that it's due to historical accident.

Soccer originated in Britain, became formalized in 1863, then spread throughout Europe and South America during the next few decades. In many countries, no other team sport has roots as deep and fans as fanatical. I live in Spain, and I cannot overstate how crazed soccer fans are.

In the United States, however, soccer was transformed in the 1860s into a more rugby-like game that eventually became American football. Meanwhile, baseball and basketball also established themselves as professional sports.

By the time soccer began to gain world popularity, U.S. sports fans were already committed to all the sports they could handle. Both fans and sponsors have limited time and money.

Here's a timeline of major events in the United States in baseball, football, and basketball, and in world soccer, with soccer events in bold. For a long time, the U.S. team couldn't even qualify to play in the World Cup, which didn't help to spark interest in the sport.

But lately, the U.S. team has been consistently qualifying, and soccer seems to be making inroads into sports fans' hearts. Soccer moms and immigrants from soccer-crazed nations may be part of a lasting change. Soccer isn't boring (usually), and if the United States didn't like sports it couldn't control, it would shun the Olympics.

The next FIFA World Cup is in Brazil in 2014. The United States will probably be there. Good luck!

1845 - The first amateur baseball team is formed, the New York Knickerbockers.
1857 - 16 clubs form the National Association of Base Ball Players.
1860s - The "Boston Game," an early version of football, becomes popular at U.S. universities.
1861 to 1865 - U.S. Civil War soldiers play baseball, and the game becomes popular nationwide.
1863 - Britain's Football Association (soccer) is founded in London.
1867 - The Nation Association of Base Ball Players grows to 400 clubs.
1869 - First professional baseball players are permitted.
1873 - Yale, Columbia, Princeton, and Rutgers meet to codify intercollegiate football rules.
1876 - Baseball's National League is founded.
1880 - At the suggestion of Walter Camp, "the father of American football," the number of players is reduced to 11, and a line of scrimmage with a snap by the center to the quarterback is approved.
1891 - James Naismith invents basketball.
1895 - First entirely professional football game is played.
1898 - First professional basketball league is founded.
1900 - 43 universities field intercollegiate football teams.
1901 - Baseball's American League is founded.
1902 - First professional football league is formed.
1902 - My adopted soccer team, Real Madrid Club de Fútbol, is founded. It becomes the most successful team of the 20th century.
1903 - First baseball World Series.
1904 - Fédération Internationale de Football Association (FIFA) is founded with 8 members.
1905 - Ty Cobb makes his major league baseball debut with the Detroit Tigers.
1905 - 62 universities create the Intercollegiate Athletic Association of the United States, later called the National Collegiate Athletic Association (NCAA).
1913 - USA joins FIFA.
1914 - Babe Ruth begins his baseball career.
1915 - Jim Thorpe is signed as a professional football player.
1916 - Second Rose Bowl university football post-season game is played.
1918 - Knute Rockne becomes football coach at Notre Dame.
1920 - Baseball's Negro National League is founded.
1920 - American Professional Football Association is formed with 20 teams and is soon renamed the National Football League (NFL).
1921 - The first radio broadcast of a baseball game.
1921 - My football team, the Green Bay Packers, joins the NFL.
1924 - FIFA organizes Summer Olympic soccer tournaments.
1930 - First soccer World Cup, although the economic depression means that several teams pull out. USA finishes third. Britain's teams had already dropped out, and would rejoin only after WWII.
1932 - First NFL football post-season championship playoff game is held.
1933 - First baseball All-Star game.
1934 - FIFA's second World Cup, hosted by Italy. USA is eliminated in the first round.
1935 - Orange Bowl, Sugar Bowl, and Sun Bowl football games are created.
1935 - Cotton Bowl football game is created.
1935 - First Heisman Trophy is awarded in football.
1938 - FIFA's third World Cup, hosted by France. USA does not qualify to play.
1939 - NCAA creates the United States basketball championship.
1947 - Jackie Robinson signs with the Brooklyn Dodgers baseball team.
1949 - National Basketball Association (NBA) is formed with 17 teams.
1950 - FIFA's fourth World Cup, hosted by Brazil. USA qualifies to play and defeats England before being eliminated.
1952 - NCAA claims all television broadcasting rights for its member universities' football games.
1954 - Hank Aaron, originally a Negro League player, begins to play for the Milwaukee Braves. (I saw him play in the 1960s.)
1954 - USA does not qualify for FIFA World Cup.
1958 - USA does not qualify for FIFA World Cup.
1958 - NFL Championship Game is first played, which ends in the first sudden death overtime.
1959 - Wilt Chamberlain joins Golden State Warriors basketball team.
1959 - Vince Lombardi becomes head coach of the Green Bay Packers football team.
1960 - American Football League begins play.
1962 - USA does not qualify for FIFA World Cup.
1966 - USA does not qualify for FIFA World Cup.
1966 - First NFL-AFL championship game, the Super Bowl.
1967 - American Basketball Association (ABA) is formed as a rival to the NBA.
1970 - USA does not qualify for FIFA World Cup.
1970 - NFL and AFL merge and eventually grow to 32 teams. League rules tend to keep all football teams relatively equal in competitive opportunities. By contrast, the top soccer teams in some countries remain the same year after year after year.
1974 - USA does not qualify for FIFA World Cup.
1976 - ABA and NBA merge.
1978 - USA does not qualify for FIFA World Cup.
1982 - USA does not qualify for FIFA World Cup.
1986 - USA does not qualify for FIFA World Cup.
1990 - USA plays in FIFA World Cup in Italy, eliminated in first round.
1992 - USA fields basketball's Dream Team in the Olympics, featuring the NBA stars, including Michael Jordan.
1994 - USA hosts World Cup, automatically qualifies, and is eliminated in first round.
1995 - NBA expands to Canada.
1996 - U.S. Women's National Basketball Association is formed with 8 teams, later expanding to 12.
1998 - Major League Baseball expands to 30 teams.
1998 - USA plays in FIFA World Cup in France, eliminated in first round.
2001 - Spain's Pau Gasol joins the Memphis Grizzlies. This is big news here in Spain.
2001 - NBA Development League is founded with 8 teams, later expanding to 16.
2002 - For the first time since 1930, USA reaches quarter finals in FIFA World Cup in Korea/Japan.
2006 - USA plays in FIFA World Cup in Germany and is eliminated in first round.
2010 - USA plays in FIFA World Cup in South Africa and is eliminated in second round. Spain wins!
2010 - 35 university football bowl games are played.
2011 - Fédération Internationale de Basketball will invite the NBA champion team to the World Cup Championship.

— Sue Burke
This was also posted on my writer's website, http://www.sue.burke.name

Dark skies

Jan. 21st, 2011 01:07 pm
mount_oregano: portrait by Badassity (window)



Why is the sky dark at night? Why isn't it bright as day with starlight shining in every single direction? This is an old and surprisingly complex question, and it took modern physics to answer it.* There are two interrelated reasons:

1. The universe is finite in both age and size. It began with the Big Bang about 14 billion years ago. It contains a limited number of stars, and since light takes time to travel, we can only see the ones that are less than 14 billion light years away. There just aren't enough stars in the part of the sky that we can see to fill it.

2. The universe is expanding fast in all directions, so everything is getting farther away from us. The farther away the receding source of the light is, the more stretched its wavelength is, and eventually the wavelength drops below our eyes' threshold to see the light. In fact, the sky is not dark. It reverberates with the energy from the early universe, just after the Big Bang, before matter coalesced, when it was very small, messy, and hard to understand. Special telescopes can detect these microwaves, but we can't.

Now, suppose we take this as a metaphor for life.

We are finite in time.

1. We were born. At first, we were small and messy.

2. We don't remember our own birth because the threshold of our memory doesn't go back that far. That's good, since it was probably unpleasant.

We are finite in space.

3. We can't observe everything. Knowledge is expanding in all directions faster than it can get to us. Facebook proves that.

4. We wouldn't understand everything anyway. Information can be stretched too thin to be intelligible. Think about how far TV commentators can stretch facts.

The same science that explains the Big Bang does not yet know if the universe will end with a Big Freeze, Big Rip, Big Crunch, Big Bounce, or something completely different although equally Big.

5. We don't know our own fate. That may be just as well, since it might not be especially entertaining.

6. Or maybe it will be. Cosmologist George Smoot, who won a Nobel Prize in Physics for his work to confirm the Big Bang Theory, made a special guest fanboy appearance on the Big Bang Theory. Scientists are great wags.

Our days are lit by one star, and the rest serve as little more than decoration in the night sky.

7. Half the time, we're in the dark.

8. However, the darkness is sublimely decorated, and nothing can thrill our imaginations like staring up at the sky at night.

………
*Detailed answers:

http://www.physics.org/facts/sand-dark.asp
A simple explanation.

http://www.wimp.com/skydark/
An excellent short video.

http://en.wikipedia.org/wiki/Timeline_of_the_Big_Bang
The Wikipedia timeline of the prevailing theories of universe, starting with the Big Bang and speculating on our ultimate fate.

— Sue Burke

mount_oregano: portrait by Badassity (window)

The big news for this year is about next year: my first novel, tentatively called Transplants, should be released by EDGE Science Fiction and Fantasy Publishing in September 2011. Expect to hear more about that, a lot more.

I've been busy on the literary front this year, too. A story called "Zero Hour" was published in Daily Science Fiction and a haiku in Tinywords.

The website for my ongoing translation of Amadis of Gaul, a medieval Spanish novel that became a Renaissance best-seller, has gotten more than 10,000 visitors.

I also participated in Broad Universe's Broadpod, a podcast featuring women who write speculative fiction. Each month, they read works that focus on a different theme. In Episode 4, about mothers, I read a flash fiction story called "Who Loved Their Babies More." In Episode 6, about military fiction, I read a battle scene from Amadis of Gaul.

You had to be here in Madrid to enjoy the sound of my voice when I participated in the Mad Open Mic series, the 14th annual Continuous Reading of Don Quijote de La Mancha, and the International Literary Cabaret open mic.

In the day job, I'm still attempting to teach English to adolescents at an after-school academy. I've had to explain that the past tense of want is not went, of leave is not love, of give is not gift, of think is not thank, and of behave is not behad.

I got to travel a little this year. During Easter week I accompanied my husband on a business trip and visited Istanbul, Constantinople, and Byzantium. During the summer, we got back to the 'States to visit family. Wisconsin still has too many mosquitoes. We also visited the Royal Palace in Aranjuez and the recreation of a 1649 Royal Wedding in Navalcarnerno, Spain — which is where this photo is from.

This year marks eleven years of living in Madrid — my husband and I moved here in December 1999 — and to celebrate that landmark, Spain's soccer team won the World Cup.

Not a bad year.

— Sue Burke

Also posted at my professional website, http://www.sue.burke.name

mount_oregano: portrait by Badassity (Picasso)

What did Miguel de Cervantes earn from Don Quixote de la Mancha? We don't know, but we have enough clues to try to guess. Cervantes was poor before it was published and poor after it was published, so it wasn't a huge amount of money. Everyone agrees on that.

A little background

Don Quixote de la Mancha was published in two parts, the first in 1605 and the second in 1615. Cervantes didn't plan on a second part, but after another author wrote a continuation, he decided to write his own.

In 1604, Cervantes was 50 years old and living in Valladolid. He had written a short story about Don Quixote, and he presented the idea of a novelization to publisher Francisco de Robles, who agreed and urged Cervantes to get it ready fast. Then the book was hastily edited (which explains the many errors in the text), printed on cheap paper with worn type, and rushed to the market.

Probably no one considered it a universal masterpiece at first, but the first edition of 1,000 copies sold well — in fact, it was immediately pirated in Lisbon. Cervantes had already won notice as a playwright, and this book, which satirized popular novels of chivalry and contemporary society, cemented his reputation as a major writer.

He had received a 10-year royal privilege to print Don Quixote, which he sold to Robles for an unknown amount; the paperwork was lost. But he had sold an earlier novel, La Galatea, to Robles' grandfather for 1,336 reales, of which he eventually only received 1,086.

Nieves Concostrina, a journalist with Radio Nacional de España, reported in the series Acércate al Quijote that he received no more than 100 ducados (which equals 1,100 reales or 37,500 maravedíes) for the copyright, which she estimates is worth only about €200 today.

Daniel Eisenberg, the former editor of Cervantes, the scholarly journal of the Cervantes Society of America, wrote that he probably received 1,500 reales (51,000 maravedíes), which he says would have been worth 500,000 pesetas in 1992, or €5,503.72 today. That's better, but no J.K. Rowling.

Maravedíes today

(The photo is of an eight maravedí coin from 1607, during the reign of King Felipe III, minted in Segovia.)

Their estimates in reales are reasonably close, so that's a start. I don't know how they arrived at modern currency, though. Converting antique currencies into present-day currencies can never be done well because, among other problems, the things that money can buy have changed. Cervantes never bought gasoline, for example. I don't buy firewood.

But both Cervantes and I live in Madrid, and we both buy food. The Instituto de Cervantes, in its on-line footnotes to Quixote, has published the prices of several food items in New Castille in 1605. So let's go shopping and do some math.

• A half-kilo of mutton sold for 28 maravedíes, according to the footnote. Mutton is no longer sold here, but a half-kilo of hamburger goes for €2.50 at my local grocery story. On that basis, 1 maravedí equals €0.089

• A chicken, 55m. The average price according to government's Food Price Observatory's latest statistics is €3.52. 1m = €0.064

• A dozen oranges, 54m. Food Price Observatory average is €4.26. 1m = €0.079

• Laying hen, 127m. Common price in local ads is €12. 1m = €0.094

• A ream of writing paper, 28m. A packet of A4 110 gr. Pioneer brand paper at Carlin, a major chain, €2.93. 1m = €0.104

• A dozen eggs, 63m. Food Price Observatory average is €1.33. 1m = €0.021 (This figure is an outlier, as you can see. The price of eggs has gone down a lot over the centuries. These days agribusinesses produce eggs in giant factory farms. Things change. For the better?)

The average of all these prices gives us 1m = €0.075. A weighted average would be better, I know, but how many laying hens do most of us buy now, so how much should they "weigh"? Not to mention the disparity in egg prices.

If we go with 7.5 euro cents, the price of a copy of Quixote, set by law at 290.5 maravedíes, would have been €21.78. That sounds a bit low. We know that books were expensive items in those days. But that price was "en papel," in paper — that is, as loose pages. The purchaser had to have them bound and covered at additional expense.

On the other hand, most people earned rather little. They would have spent a big part of their income, perhaps most of it, merely on food. According to the novel, Don Quixote spent three-fourths of his income on food for his household, and they ate frugally. A book would have taken a big bite out of tight budgets.

Not a get-rich quick scheme

If we accept that exchange rate — 1 maravedí = 7.5 euro cents — then Concostrina's estimate of 37,400 maravedíes yields €2,805. Eisenberg's 51,000 maravedíes yields €3,825.

It's not a lot. Cervantes seems to have had income from other sources at the time. I hope so.

Those of you in the 'States may be wondering what this is in US dollars. Yeesh. The dollar-euro exchange rate fluctuates daily, and there's a worldwide currency war going on now. On November 1, 2010, the value was USD$3,911.24 for Concostrina's estimate and USD$5,333.50 for Eisenberg's, but that will change. Go to Oanda for the latest numbers:
http://www.oanda.com/currency/converter/

What Cervantes thought

In Book II, Chapter LXII of Don Quixote, our knight-errant meets an author in a printing shop in Barcelona and has this conversation:

"I would venture to swear," said Don Quixote, "that you, sir, are not known in the world, which always begrudges its reward to rare wits and praiseworthy labors. What talents lie wasted there! What genius thrust away into corners! What worth left neglected! ... But tell me, sir, are you printing this book at your own risk, or have you sold the copyright to some bookseller?"

"I print at my own risk," said the author, "and I expect to make a thousand ducados at least with this first edition, which is to be of two thousand copies that should sell in the blink of an eye at six reales apiece."

"A fine calculation you are making!" said Don Quixote. "It seems you don't know the ins and outs of the printers, and the false accounting that some of them use. I promise you when you find yourself weighed down with two thousand copies, you will feel so careworn that it will astonish you, particularly if the book is unusual and not at all humorous."

"Then what!" said the author. "Sir, do you wish me to give it to a bookseller who will give three maravedíes for the copyright and think he is doing me a favor? I do not print my books to win fame in the world, for I am already well-known by my works. I want to get something out of it, otherwise fame is not worth a penny."

— Sue Burke

This is also posted at my professional website, http://www.sue.burke.name

mount_oregano: portrait by Badassity (GreenAsAThumb)

I met a local celebrity this summer while I was visiting Houston, Texas. Lois was young and small, only seven years old, weighed 30 pounds, and was creamy white with a large crimson frill. She had grown to a respectable 69 inches tall, and she stank like very ripe garbage. She was a corpse flower, a titan arum, an Amorphophallus titanum to be specific, and she was in bloom at the Houston Museum of Natural Science.

Only 29 botanical collections in the US have had a publicized corpse flower bloom since 1937, along with another 21 in gardens elsewhere in the world. The plant is native to western Sumatra, where deforestation has made it rare. Mature plants can grow 10-foot-tall flowers, and they produce their own heat to project the stench.


Lois's flower opened early on Friday, July 23. Just getting to see her wasn't easy because she had become a star attraction. I went with my brother and his family on Saturday, July 24, and by then 5,000 people had already visited her. The museum had begun selling timed "Stink Squared" tickets, and the first available time was 1:30 a.m. — her exhibit would be open all night to accommodate her fans. We opted for 10:30 a.m. Sunday morning. Meanwhile, we could view the flower and her stream of visitors on an internet webcam. A happy bridal party posed with Lois as a special guest bouquet on Saturday night.

The stench peaks at pollination time. Carrion flies pollinate the flower, and since the plants grow far apart, they must attract flies from as far away as possible, which explains both the quantity and quality of the stench. By the time we arrived, the Stink-O-Meter had sunk to 3 out of 10, still unpleasant. On Sunday night, the flower collapsed.

I had learned something curious studying the exhibit. It said the titan arum flowers every 3 to 5 years, and in the meantime, it grows one leaf. Just one? For such a big flower? I decided to investigate more when I got home.


But I didn't have to. During my American vacation, I also visited Milwaukee's Mitchell Park Horticultural Conservatory, and there, in the tropical dome, a little titan arum was growing without fanfare in a pot. A thick green stalk was topped by a leaf split into leaflets, in all the size of a beach umbrella. And that was a baby.

The stalk of mature plants can reach 20 feet tall and the leaf 16 feet across, sending energy in the form of sugars to a corm (root) that can grow to between 100 and 200 pounds. When it's ready, the corm will use that energy to create the biggest, stinkiest flower on Earth.

If there are no titanic blooms in your area, you can learn all about Lois and the titan arum here:

Houston Museum of Natural Science Lois blog:
http://blog.hmns.org/?tag=lois
The museum's corpse flower photos:
http://www.flickr.com/photos/hmns/sets/72157624313053793/
Wikipedia, with a good set of external links:
http://en.wikipedia.org/wiki/Titan_arum

— Sue Burke

Also posted at my writer's website: http://www.sue.burke.name

mount_oregano: portrait by Badassity (Seedlings3)


You might overlook this little pine-like tree in Madrid's Royal Botanical Garden, but the big red sign next to the walkway will get your attention. This specimen is part of a special conservation program for the Wallemia nobilis!

The sign informs you:

"This is a species found in the fossil record 90 million years ago. It was believed extinct until, in 1994, a small surviving population was discovered in Australia. An adult individual can reach 40 meters in height and can resist 12º below zero C. An important legislative protection program is underway to save its natural location and to place laboratory-cultivated seedlings in gardens around the world."

Here's how it happened:

In 1994, David Noble, a field officer at Wollemi National Park in New South Wales, went on a Christmas hike in the rainforest with two buddies. As they climbed through a nearly inaccessible area, they found 39 huge, odd trees, and he brought back specimens.

The species turned out to be the sole example of a genus of the family Aarucariaceae that goes back 200 million years and that once probably covered large parts of Gondwana. It was believed extinct.

This was the plant equivalent of discovering a live Tyrannosaurus rex.

Since then, two more stands have been discovered, bringing the wild population to 100, but they're susceptible to mold and natural disasters, so seedlings are being grown and sold to gardens and individuals, with the money going to conservation of the species.

Madrid's Botanical Garden paid 85€ for its little tree and planted it in a shady spot, since the tree doesn't seem to like Spain's hot sun – as far as we know. There's a lot to learn.

You can recognize this tree by its unusual branching: the side branches have no further branching, and they fall off after producing a pine cone. Then another branch develops from its chocolate-brown knobby bark, which is also distinctive to the species.

The exact location of the 100 wild trees is being kept secret to protect them, so the only way to admire a Wollemia nobilis is in gardens. That's exciting enough, like seeing a baby T-rex at a zoo, but if you go to the tree's webpage at http://www.wollemipine.com you will find photos from Wollemi National Park. The mature trees and their environment could not be more beautiful.

Photos are available for download as computer wallpaper at the website, which also has the latest news and links to participating gardens possibly near you.

— Sue Burke

Also posted at my professional website: http://www.sue.burke.name

mount_oregano: portrait by Badassity (Bottle o' spice)



Turkish baths have earned fame for their relaxing and luxurious steam rooms. Turkish bathrooms lack fame through no fault of their own, yet a traveler may find them worth attention, as well as occasional visits.

During a trip to Istanbul in March, I learned that Turkish toilets come in two types: squat, and standard Western pedestal with built-in bidet, which I especially liked. In the photo, the toilet on the left was in our hotel room at the Holiday Inn Şişli in Instanbul, and the one on the right was at the Sultanahmet (Blue) Mosque.

You can find squat toilets in many parts of the world. I had already experienced them at a small café in Paris and at the feria in Córdoba, so when I paid a half-lira (about 70 US cents) at the Sultanahmet Mosque to use its services and encountered this plumbing variety, I knew what to do. You face the door, put your feet on the corrugated areas, bend your knees and hips, hold your clothes out of the way, and go.

Although flush squat toilets exist, this one had a small pail under a faucet in the stall to use to clean the basin when you're done. Some have rolls of toilet paper mounted on the wall, but at this mosque the attendant handed me some paper when I paid to enter. In either case, the used paper goes into a small wastebasket.

Since the Suntanahmet Mosque attracts a lot of tourists, many of the customers were also tourists, and I suspect that the public pay toilets may serve as a means to raise funds. As a former member of a church board, I approve, and I recommend this to other houses of worship that attract visitors. It takes a lot of money to keep up a beautiful building.

The second type, a pedestal or sit-down toilet, is common in the Western world and common enough in Istanbul, too, except for one thing. At the rear, as you can see in the photo, there's a sort of small nozzle. This is a built-in bidet. A handle on the wall turns on the water, which shoots out with uncanny accuracy to help you clean yourself.

It proved far more convenient and preferable to the French-style separate bidet common in Spanish homes, a porcelain pot that is really useful only for washing feet, and even then isn't ideal. But world travelers must adapt. Or else.

— Sue Burke

mount_oregano: portrait by Badassity (Guadarrama1)

If you visit any Spanish souvenir shop, you can find infinite iterations of a black silhouette of a bull standing proud, the unofficial symbol of Spain. It comes on pins, flags, tee-shirts, more tee-shirts, handbags, wallets, ash trays, sculptures, refrigerator magnets, towels, playing cards, and anything else you can think of.

It's the Osborne bull, and this is its story:

In 1954, the artist Manolo Prieto designed the bull for an advertising campaign for Osborne sherry and brandy. The silhouette was used as sort of a billboard, and the campaign was a big success. As the years passed, sheet-metal bulls 14 meters/46 feet high and weighing four tons came to tower over highways in 90 spots in Spain, usually on looming on the horizon as in the photo, in this case in the mountains near Jerez de la Frontera.

But starting in 1988, laws began to limit billboards along rural state highways. For a while, the Osborne bull managed to remain in place by eliminating the advertising slogans painted on them, but in 1994, they faced doom under toughened regulations.

By then, the bulls had gained fans. Some regional governments declared them "cultural assets." Artists, politicians, journalists, and associations campaigned to save the bull. Finally in December 1997, the Spanish Supreme Court ruled: "It has gone beyond its initial advertising purpose and become part of the landscape." The regulation was adjusted to permit the bull for its "aesthetic or cultural interest."

A bull that beloved can't stay safe from its fans, though. You can see the bull on Spanish flags at sporting events. These aren't official products. In fact, a lot of the souvenirs aren't official.

The Osborne Group, http://www.osborne.es, founded in 1772, makes most of its profits from sales of wine, spirits, ham, sausages, soft drinks, and energy drinks. It also has to spend a lot time protecting its trademark bull against fraudulent use. It's taken action against a half-million items over the last ten years.

In response, the Osborne Group has decided to expand the bull business: if people want to buy the bull, isn't the customer always right? It's selling rights to the image to 50 other firms and setting up official stores outside of Spain. By 2012, up to 500 kinds of products will be available in Europe, Latin America, and the United States, as well as from an on-line Internet store.

In all, bull souvenirs should soon be worth ten million euros a year, still nowhere near what Osborne makes selling food. Company spokesman Juan Alegría said the profits will be spent to add prestige to the trademark and to fight fraud.

Soon you will be able buy authentic souvenirs without having to travel to Spain, which will definitely take some of the fun out of it. But at least your bull-emblazoned silk tie or bedsheet will be genuine Osborne.

- Sue Burke
[Cross-posted from my professional writing website http://www.sue.burke.name]
mount_oregano: portrait by Badassity (Default)


Speaking is instinctive, but writing is a technology: a code. Readers must decode the symbols that make up a text in order to understand its meaning. Over time, that code has evolved to become more complex; writing changed because reading changed, and readers needed more information.

I believe in those changes, although not everyone does. The history of writing goes back about six thousand years, but I'll start 2,000 years ago with Latin to explain my faith in innovations like punctuation.

HOWDOYOUREADTHISWELLTRYREADINGITOUTLOUD
How do you read this? Well, try reading it out loud.

This is how the Romans wrote at the time: in scriptio continua or "continuous script" and in all upper-case letters because that was all they had. It worked well enough since most readers in those days received patrician educations, which gave them strong language skills. Moreover, texts were few, and educated people knew most of them already. Writing often served merely as a reminder to aid in its declamation.

You can see an example in the photo. This 1st century BC marble inscription known as the "Laudatio Turiae" used to stand alongside the Via Portuense in Rome.

Then Rome became Christian, and Christianity spread using a written Bible and other texts. Monks in monasteries created copies, often beautifully illustrated but in variable handwriting, still in scriptio continoa, and sometimes without much skill in the Latin language. In 781 AD, Holy Roman Emperor Charlemagne was worried about the decay of Christian learning, so he persuaded the English monk Alcuin to help him reform education and create a standardized script.

One result was Carolingian minuscule, essentially the lower-case letters we use today; capital letters were reserved to distinguish the initial letters of sections. Alcuin also established custom of separating words with spaces to help readers with poor Latin skills distinguish them. Finally, he added punctuation to show where to pause when reading a text aloud.

Many marks were used throughout the Middle Ages, including periods, single dots, colons, semicolons, three dots, slashes (/, used as commas), double-slashes, pilcrows (¶) - all employed without much standardization. Indentations, colored ink, initial letters, and other kinds of visual clues also aided the inexpert reader.

Until the Renaissance, though, writing still tended to serve as a means to help a reader declaim the text. Books were rare and expensive, and few people could read. Instead, people were read to by scholars and clergy.

Then in about 1450 AD Gutenberg invented movable type. Within a century Europe was filling up with moderately priced printed books. This revolutionized access to writing at the same time that literacy was becoming more common, so people began to read for pleasure, alone and silently. They often found themselves reading new, unfamiliar texts, and silent reading meant that they did not take the intermediate step of turning the marks on the page into voiced words whose inflection and pacing revealed meaning. Readers needed help.

So punctuation became standardized. It began to add specific grammatical information to the texts, and more kinds of punctuation were invented, such as quotation marks, apostrophes, question marks, exclamation marks, and parentheses. Texts were separated into paragraphs. Eventually, even English spelling became standardized (though not simplified, alas).

These evolutions have make reading easier, but they mean that writers must work harder. Punctuation no longer marks pauses, it marks grammatical meaning: a panda who "eats shoots and leaves" is not the same as one who "eats, shoots, and leaves." Writers must learn complex grammar rules to know when to use commas (and be able to debate the serial comma), and to use capital letters, italics, single quotes, double quotes, inverted quotes, hyphens, m-dashes, and all those other details that I have at times earned my living correcting as an editor and proofreader.

Some writers rebel against having to burden their creative process with the management all this labyrinthine code and "blot the page up with weird little marks," as Cormac McCarthy says. I think this merely shifts the burden to the reader, who has always had enough problems.

Nathaniel Hawthorne said, "Easy reading is damned hard writing." I believe that good writers aren't lazy writers. All these writing tools developed over the centuries exist to help the reader. It's an honor to have readers, and they deserve the best-encoded text I can produce.

- Sue Burke

[This is cross-posted from my professional website, http://www.sue.burke.name]

mount_oregano: portrait by Badassity (Spice2)


Few tourists visit Spain's Panteón de Hombres Illustres (Pantheon of Illustrious Men), although the monument is easy to spot at the corner of Paseo de Reína Cristina and Calle de Julián Gayarre, near Atocha train station in Madrid. Though lovely, it resists easy explanation, yet it's not so odd as to be an attraction for oddness's sake, and that may account for its lack of renown.

I live around the corner, and admission is free, but even we neighbors only occasionally visit, sometimes just to sit and read the newspaper the little garden in front. The Pantheon is too solemn and beautiful for more.

Its story begins in 1837, when San Francisco el Grande Church was named Spain's Pantheon of Illustrious Men, similar to the Panthéon of Paris. But nothing more was done.

Then in 1869, a commission of experts, including the Governor of Madrid, Salustiano de Olozaga, was charged with finding the remains Spain's illustrious men like the painter Velázquez to bring to the church. They had a month to do it. They found that quite a few, including Velázaquez, were missing, and others were not about to be disturbed, but they gathered up a dozen, such as the writer Quevedo, who were solemnly deposited on deadline. But the project was soon abandoned and they were returned to their places of origin in 1874.

Finally in the 1880s the Queen Regent María Cristina decided to build a royal basilica and pantheon on the site of Atocha Basilica, which had fallen down due to neglect. In 1888, the project was awarded to architect Fernando Arbós y Tremanti. Work began in 1892. A bell tower and the pantheon-cloister was built in splendid Neo-byzantinian style. Then money ran out in 1901, and nothing more was constructed.


But since 1902, twelve semi-illustrious men have been resting in the Pantheon
— that is, men who changed the course of Spanish history for good or ill, though you may not have heard of them. (None of Spain's illustrious and semi-illustrious women rest there.) They are:

José Álvarez Mendizabal, 1790-1853, prime minister and economist.
Agustín de Argüelles, 1776-1844, prime minister who helped write the Constitutions of 1812 and 1837.
José María Calatrava, 1781-1846, prime minister, another author of the 1837 Constitution.
José Canalejas, 1854-1912, prime minister, assassinated.
Antonio Cánovas del Castillo, 1828-1897, six times prime minister, assassinated.
Eduardo Dato e Iradier, 1856-1921, three times prime minister, assassinated.
Salustiano de Olozaga, 1805-1873, prime minister, another author of the 1837 Constitution, diplomat.
Antonio de Ríos Rosas, 1812-1873, prime minster.
Manuel Gutierrez de la Concha e Irogyen, Marquez de Duero, 1808-1874, general, killed in battle.
Francisco Martínez de la Rosa, 1787-1862, prime minister and author.
Diego Francisco Muñoz-Torrero y Ramirez-Moyano, 1761-1829, helped write the 1812 Constitution and abolished the Inquisition, died in prison.
Práxedes Mateo Sagasta, 1825-1903, leader of the1868 revolution, eight times premier.

They are housed in a striking building of black an white stone, with mosaic walls, stained glass windows, domes with murals in two corners, and a rose garden inside the cloister. Atocha School, not an architectural masterpiece, abuts the Pantheon and surrounds the tower.

Six men rest in the cloister's mausoleum in the garden, which is topped with a statue of the goddess Liberty thirty years older than the one in New York harbor. The others lie in extravagant monuments by renowned sculptors Agustín Querol, Pedro Estany, Ponciano Ponzano and Mariano Benlliure.

They rest in peace, since visitors rarely come to marvel at this fragment of what was meant to be a landmark.

More information:

Find A Grave entry, with biographies and more photos.
http://www.findagrave.com/cgi-bin/fg.cgi?page=cr&CRid=2135880

Patrimonio Nacional site with information on visiting hours and location.
http://www.patrimonionacional.es/Home/Monasterios-y-Conventos/Panteon-de-hombres-ilustres.aspx

Photos in Wikipedia Commons.
http://commons.wikimedia.org/wiki/Category:Pantheon_of_Illustrious_Men

— Sue Burke
Also posted at http://www.sue.burke.name

mount_oregano: portrait by Badassity (Bottle o' spice)

Three miles due north of the world-famous Prado Museum, a robot named Urbano stands in a lab at the Universidad Politécnica de Madrid, Spain. Its red cylindrical base is ringed with sensors. On top of its base, a platform supports more sensors. It has a single mechanical arm suitable only for gesturing, and a minimal but expressive face.

It vaguely resembles a Dalek, a monster from the Doctor Who science fiction television show, except that it's not evil.

Urbano can interact intelligently and autonomously with the public to give tours of exhibits and museums. Its developers dream that someday it may even give tours of the Prado. Emotions make act more "human," and emotions are the key to its success as a tour guide robot.

I came to know Urbano because I translated a pair of scientific papers about its design and programming from Spanish to English. Because the robot piqued my science-fiction interests, Professors Ramón Galán and J. Javier Rainer generously offered to give me a tour of the Intelligent Control Group labs at the Department of Automatic Control, Industrial Electronics and Computer Science at the Universidad Politécnica de Madrid.

The labs are a playground for the scientific mind.

They're a series of large rooms filled with computers, robots, equipment, and graduate students gazing intently at screens displaying half-written programs. A lot of the equipment is more or less off the shelf: small robot carts, radio-controlled helicopters, a ring of pistons and clamps that can climb up a post, a swarm of Roomba-like disks, and mechanical arms. Galán led me around and explained each project's technical complications and potential applications with a passion for details, and the details are where the fun is.

Urbano's challenge: coping with humans

Urbano faces specific complications because it must interact socially with humans in human environments. It's hardly the first mobile tour-guide robot, but many of them simply follow a series of fixed rules and schedules, which makes them as human-like as automatic rice cookers. Galán not only wants Urbano to act human, he even uses the term "free will" when he talks about its emotional programming. That's a concept that science fiction can do a lot with.

Now, these aren't emotions like yours or mine. Instead, they're a set of fuzzy logic rules that allow it to react in a human-like manner. For example, if someone blocks its way, at first Urbano politely says, with a pleasant expression, "I need space to move, please." If the person doesn't move, eventually it will get angry, frown, and say: "Get out of the way, imbecile."

Similarly, if Urbano sees that the public is very interested in its presentation, it will smile and give more information. If something unexpected happens, it feels surprised and gives less information, though the surprise can pass quickly if it isn't reinforced. If something makes it afraid, it will present more organizational information about the tour, such as the location of emergency exits.

You can see videos of Urbano at work here,
http://www.disam.upm.es/~control/
and you can follow links to technical papers. Urbano is an ongoing project with specific goals. I want to consider possible outcomes that science fiction authors might find useful.

A robot like us, sort of

Dr. Galán defines "intelligence" as problem solving. The robot doesn't merely follow instructions. It assesses situations and chooses among options. It can learn from its experiences and make better decisions next time — like us.

Emotions don't merely make Urbano more human-like. They give it ambition. In Urbano's case, it seeks happiness, and giving tours that the public finds enjoyable makes it happy.

Because Urbano is intelligent, it can learn through experience which components make for better tours, and someday it might be able to find new rules to adapt itself to its working surroundings and adjust its reactions to produce better results. This is sort of like you or me reading self-help magazine articles and doing what they say, except that the robot can simply adopt new behavior rules into its programming, whereas you and I may find change much harder.

In the future, the robot might even be able to develop a wholly new algorithm on its own to create its own rules, and it could test those new rules on its historic database to see how they would work. You and I can do something similar when we imagine novel procedures and behaviors in our lives and wonder about how they would work. I'm not sure whether we or the robot would have more accurate imaginations, but the robot's might be faster.

Finally, like us, the robot could ultimately be able to change the basic values in its programming, giving some outcomes or activities more importance in order to make it more happy, the way that we can decide to rearrange our life goals and priorities in our own pursuit of happiness. But the new rules could be wrong, and the robot could get stuck in a feedback loop that might make it not just unhappy but too depressed to go to work. That would be unacceptable at an institution like the Prado, Galán says, and he could try to prevent this by placing limits on the robot's emotional reactions, but then would Urbano have free will?

Real robots versus sci-fi movies

It's easy to imagine a robot like R2D2 or C3PO from Star Wars, but those are just humans in shiny costumes. In the near future, we're more likely to see something like Urbano, a robot who operates using fairly simple and transparent programming that produces complex behavior. It could face a problem, think, yearn, and triumph or fail: that's the basic outline for a fiction story or novel. But the robot would do that with an ingeniousness and limitations that could make for a attractive protagonist or repellant antagonist.

Meanwhile, Urbano wants to tell you about the painter Velázquez and show you his works. Are you interested? Good. It will lead the way, and it may even decide to tell you a joke to entertain you en route.

— Sue Burke
Also posted at my professional website: http://www.sue.burke.name

mount_oregano: portrait by Badassity (Spice2)


Tourists come back from Spain raving about tapas. If you go to a bar and order a drink, you get a free snack. I've been living in Madrid for almost ten years, and I've had a lot of tapas. (The verb is "tapear.") It's an exercise in luck, especially if you get out of touristy areas, because bartenders feel more free to be capricious or to give you food that might mystify foreigners.

A tapa can be anything from a tiny bowl of popcorn to specially prepared hot dishes. Some bars have restaurants attached and the cook doesn't want the dinner leftovers to go to waste, so you could get whatever they need to get rid of, in the quantities they need to move. Many bars give a small freebie but allow customers to order (and pay for) bigger servings.

Tapas I've known include anchovies, deep-fried tiny squids, small sandwiches of all description, sausages, peanuts, homemade hot potato chips, pork rinds, mixed nuts, ham, various kinds of cheese, slices of roasted pig ears, patatas bravas, fried peppers, miscellaneous salads, paella, tuna turnovers, croquets, shrimp, salt cod, tortilla, meatballs, olives, deep-fried beans, and, once, a full roast pork dinner (leftovers, as I said).

A landmark Spanish dish is the tortilla española, a potato omelet, and it tastes good hot or cold, so it's a great tapa. Here's the recipe:

1 pound of potatoes
1 onion (optional)
6 eggs
salt to taste
good quality olive oil

Peel and slice the potatoes. If you're using the onion, which adds both flavor and a nice moist texture to the omelet, slice that, too. Fry them gently in abundant olive oil with a little salt in a frying pan until very soft: soft enough to mash, but not browned. When they're ready, beat the eggs with salt in a large bowl. Scoop the potatoes from the pan and mix with the eggs. If necessary, add more oil to the pan. (This is not a low-fat recipe.) Pour the mixture into the pan and cook over medium to low heat. When it is cooked on one side, turn it over, and return it to the heat to finish cooking.

Turning it over is the tricky step. I have a set of two frying pans made for tortillas that fit together, so I put a little more oil on top of the tortilla, fit on the upper pan, pick the whole thing up, and quickly flip it. I also have a tortilla turner, which resembles a wide, shallow bowl on a stand. (See photo. I bought my tortilla turner in Toledo.) You slip the tortilla into it, cooked side down, then put the frying pan on top, pick it all up (with hot pads), and flip it over. A properly shaped wide bowl or pot lid could work, too.

If you have trouble turning the tortilla, the worst that can happen is you get scrambled eggs and potatoes. In fact, all Spanish cooks wind up with scrambled eggs the first few times they try to make a tortilla. It will still taste great, so it's okay.

You can add a little cooked ham, seafood, green or red pepper, sausage, or other tidbits to the omelet and still be authentic.

A tortilla can be served at any meal except breakfast, because Spaniards don't eat breakfast.

— Sue Burke

Also posted at my website: http://www.sue.burke.name

mount_oregano: portrait by Badassity (Seedlings3)

Every Spanish town or city has its patron Virgin, and in a big city like Madrid, even neighborhoods have their own. Ours is Our Lady of Atocha. On the first Sunday of October — that is, today — she is taken out of the Royal Basilica of Atocha and carried in procession through the streets while neighbors applaud and cheer.

Tradition says that the statue was made by the disciples of Saint Peter while the Virgin was still alive. It's actually late Byzantine, although the veneration goes back centuries earlier. Saint Ildefonso, Archbishop of Toledo, wrote in 665 or 666 A.D. that an image of the Virgin was being worshiped in a small chapel near the banks of the Manzanares River.

Every local Virgin has her legends and miracles, and this is one of Atocha's:

In the year 720, the mayor of Madrid, the knight Gracián Ramírez, often went to the chapel near the Manzanares to pray, but he went in secret because the area had fallen under the control of the invading Moors. One day the statue was missing, and as he searched for it, he pledged that if he found it, he would build a new chapel at that spot. He found it in a field of esparto grass, which is known as "atocha" in this part of Spain — thus, it seems, her name.

He gathered some men and construction began (at the site of the current basilica), but as it neared completion, the Moors suspected that he was building a fort and amassed to attack. They badly outnumbered the Christians, and despite his prayers, Gracián feared defeat. To prevent his wife and two daughters from falling into the hands of the Moors, he brought them to the altar, drew his sword, and chopped off their heads. He left their corpses in the church and went out to fight to his death.

But at that moment, great lights and flashes of lightning blinded the Moors and terrified them. They trampled each other as they tried to run away, giving the Christians an easy victory. After the battle, they hurried back to the chapel to give their thanks. But when they arrived, Garcián discovered his wife and daughters on their knees praying before the altar — alive and well, but with a red line around their neck where he had severed their heads to remind him of his lack of faith.

(Astute readers will see a few historical problems with this story. Well, yes. It's a traditional story, and "tradition" in Spain means that you should take it for its dramatic, folkloric, or didactic value, not as fact.)

Over the years, the chapel became a church, and more miracles occurred. Eventually, the kings of Spain became regular worshipers, and Our Lady of Atocha became the patroness of the royal house. The church was rebuilt several times and eventually designated as a basilica. It was damaged during the French occupation in 1808 and burned down during the Civil War in 1936. The current building was inaugurated on Christmas Day, 1951.

But over the centuries, the statue, with its gentle, happy eyes, was protected and saved.

Our Lady of Atocha is made of dark wood, 60 centimeters high from head to foot, seated on a throne with a crown on her head. She holds an apple in her right hand. The Christ Child sits on her lap, holding a book and raising two fingers in benediction.

The queens of Spain donate their wedding dresses to the Virgin, and when she goes out on procession, she wears splendid clothing made from them — as you can see in the photo.

She's one of the "black Madonnas" that became popular in Europe in the 11th and 12th centuries. Why were they black? No one is quite sure, but recent investigations have shown that they didn't turn dark through age. They were deliberately dark.

Today, she will be carried out of the church on a float decorated with flowers and candles. If it's like previous processions, as she emerges, the police band will play the Spanish national anthem, a royal march. Hundreds of people will greet her with applause and shouts of "Viva la Virgen!"

I plan to be there. I'm not Catholic, but Atocha is my neighborhood, and she's been here longer than anyone.

— Sue Burke
Also posted on my professional website: http://www.sue.burke.name

mount_oregano: portrait by Badassity (NightFallsOnEurope)

I disagree with this poem by Walt Whitman, "When I Heard the Learn'd Astronomer" from Leaves of Grass (1867 edition).

When I heard the learn'd astronomer,
When the proofs, the figures, were ranged in columns before me,
When I was shown the charts and diagrams, to add, divide, and measure them,
When I sitting heard the astronomer where he lectured with much applause in the lecture-room,
How soon unaccountable I became tired and sick,
Till rising and gliding out I wander'd off by myself,
In the mystical moist night-air, and from time to time,
Look'd up in perfect silence at the stars
.

Whitman feared science would turn the stars into a cipher, but I believe that the more I understand the universe, the more wonderful it is.

I love to look at rainbows. Knowing how they're formed helps me predict when and where I'm likely to see them; I get to see more of them that way. Knowing more about light gives me more to wonder about. There are colors humans can't see beyond violet and red, but bees and goldfish can.

We can predict rainbows, but who could have predicted bee and goldfish vision? And with science transformed into technology, we can see what they see and discover even more.

The more I know, the more I witness. I believe that unraveling an experience does not remove its mystery and wonder. Instead it leads to the next surprise. The Renaissance mathematician Johannes Kepler, who founded the science of astronomy, worked out the equations for the movement of the planets around the Sun. He heard the symphony of God and eternity in the polyphony of their orbits — in 1618 he wrote the Music of The Spheres, eerie shifting tones, and once I heard it, the night sky hasn't been the same: http://www.viotti.com/kepler.html

"God Himself has waited 6,000 years for a witness," Kepler wrote, but the universe was reckoned to be a lot younger and smaller then.



Only eighty years ago, astronomers looked at the M31 "spiral nebula" and argued over whether it was part of the Milky Way or another, similar "island universe." Edwin Hubble's observations showed that it was indeed a galaxy, now called the Andromeda Galaxy, and it was bigger and farther away than anyone had thought. It's the most distant object Walt Whitman could have seen with the unaided eye, two million light-years away. And now we know the sky is full of galaxies. The universe is bigger than we ever imagined.

I can learn. Understanding what I can of all that is around me makes me more human. Since ancient times, science has been ranked among the humanities, and I think it belongs there. Understanding the forces that create and uphold life is one way to become open to them.

Whitman feared science would turn the stars into a dry equations. But had he stayed a little longer at that lecture, he might have gone out afterwards, looked up in perfect silence, and heard the stars sing.

— Sue Burke
Also posted at my writing website, http://www.sue.burke.name

Photo: The Andromeda Galaxy, telescopic digital mosaic by Robert Gendler. Astronomy Picture of the Day 2005 December 22.
http://antwrp.gsfc.nasa.gov/apod/ap051222.html

mount_oregano: portrait by Badassity (Spice1)

For decades, it was known as the Ghost Station. On Line 1 of the Madrid Metro between Bilbao and Iglesias, alert passengers could spot a dark, abandoned station as the train sped through it.

The Chamberí Station had served riders from October 17, 1919, when King Alfonso XIII inaugurated the Metro system, until May 21, 1966. To accommodate the growing number of passengers, the Metro decided to increase the number of cars in each train, and the station couldn't be expanded, so it was closed.

Last year, the station reopened as part of the new Metro Museum, Andén Cero (Platform Zero); the other part is the old electric generating plant near the Pacífico Station.

The Chamberí Station needed lots of cleaning. Over the years, water had seeped in and damaged ceilings and walls. Homeless people had camped in its halls, and their fires had left a layer of soot. Graffiti had added to the damage. The original entrance had disappeared under widened streets, so a new glass and steel circular stairway was built in Chamberí Plaza.

At first, people thronged to the new museum-station to enjoy the time machine that it was meant to be. Crowds have since thinned but by no means stopped. Twenty people passed through at the same time I did on a Sunday early afternoon.

A talkative tour guide, too young to have ever used the station herself but enthused about it, walked our group through the ticket booth, down the hallway and stairs, back and forth on the platform, and then out through the turnstiles, explaining each detail down to the electric light bulbs. Every effort has been made to make restore the station to its 1919 condition, she said, but these days public law requires minimal lighting in museums that is much brighter than the bulbs available back then. She quoted a contemporary newspaper column about the inauguration complaining that the lighting was "gloomy."

The Metro's architect, Antonio Palacios, famous in Madrid's history, did his best to fight the gloom. Shiny white ceramic tiles cover the walls and ceiling, accented with cobalt blue. Some of the colorful original tile advertisements on the walls could be saved, protected by paper billboards slapped over them as time went by. The telephone numbers on them have four digits. Music from the 1920s plays over loudspeakers, and the spaces for ads that could not be saved serve as screens to project other old ads and historic films.

A new glass wall alongside the tracks protects visitors as trains roar through frequently. Old signs and subway maps on the walls tell how much has changed. Originally, the Madrid Metro had 8 stations; now it has 292.

A video in an adjoining little theater recounts the entire history of the subway and how King Alfonso himself led the effort to create the Metro. It initially employed pretty young women in its ticket booths to attract users who just wanted to see the novelty of women at work.

Foreign tourists rarely go to Andén Cero. It's not their ghost, not their past or their grandparents' pasts, and a small antique subway station lacks the allure of the Prado Museum. Everything's in Spanish, anyway.

But I live here. I'd seen the Ghost Station for years, and now I've seen the Metro as it was 90 years ago, odd and quaint, but in its day a giant leap toward a better future, such as it was conceived of back then — for example, one of the advertisements proclaims the modern wonder of a Philips light bulb with the illuminating power of one-half watt.

Open Tuesday to Friday, 11 a.m. to 7 p.m.; Saturday, Sunday, and holidays, 11 a.m. to 3 p.m. Closed Monday. Plaza de Chamberí. Free admission.

Also posted at http://www.sue.burke.name

— Sue Burke

mount_oregano: portrait by Badassity (Seedlings1)

I've sold an option for screenplay rights to the short story "Normalized Death."

Don't get excited. It's not coming to a theater near you soon — in fact, it probably never will. I sold the rights to an advanced practicum student producer at a Chicago college. The odds of it actually getting produced are slim, and student films rarely if ever hit it big.

I'm only getting a token payment for the rights. I agreed to the sale in part to be kind to students: the "paying forward" that they talk about in science fiction circles. You can never pay back the people who helped you when you were starting out, so you can only help others who are starting out.

But my main motive was pure curiosity.

You can read "Normalized Death" at Flash Fiction Online: http://www.flashfictiononline.com/f20081202-normalized-death-sue-burke.html It's a simple story:

A woman, Rebecca, arrives at the hospice where her mother is dying, goes to her room, and finds her sleeping. Rebecca has a pill in her pocket that she's supposed to take to "normalize" her emotions in this difficult time. She stands and thinks, then decides not to take it. Her mother wakes up, and they start to talk. The end.

There's hardly any action. Not much dialogue, except as the daughter remembers events in the past. I think the story works in print, especially since at 900 words, it's so short that it ends before the unrelenting introspection becomes annoying to the reader (at least, I hope so). But it obviously wouldn't work on a screen.

I wanted to learn how the student producer planned to adapt the story.

She proposed starting with a scene between Rebecca and her sister when they learn their mother has just been hospitalized, which doesn't seem to bother the sister much. They arrive at the hospital, and Rebecca is puzzled about why so many people seem as unreactive as her sister. That's when Rebecca learns about the pills, and is pressured to take one, but she only pretends to, and when everyone else is gone, she and her mother share a final, heart-felt conversation.

There's more details, of course, and I rushed through the climax, but I'm very pleased with the changes. I was excited to see that the adaptation, especially in some of the details the student invented, nailed the original story.

The big difference, besides having people actually do things and say things, is that the screenplay will be significantly longer — no surprise. Showing usually takes longer than telling. Written fiction and screenplays are different storytelling media, and each has its economies and requirements.

Having my work transmogrified has been fun, educational, and flattering. Good luck, students! And thanks.

— Sue Burke
Also posted at http://www.sue.burke.name

mount_oregano: portrait by Badassity (Spice2)

I've been teaching English at an after-school program to Spanish adolescents for the past year, and I've come to admire their attitude toward learning. Sure, there's the occasional discipline problem along with all the travails of their age, including hormone intoxication. But they bring realistic expectations and habits to class that adult language learners sometimes forget.

Adults tend to expect too much, too fast.

My students know it's going to take years to master English. And as teens, they perceive a year as a very, very long time. But they also know how long it's taken them to get where they are.

It's also taken massive work, and even more work looms on their horizon. They spend a lot of time studying English — and all the other subjects on their curricula. Sometimes they come to class exhausted.

Here's what you can reasonably expect:

As a very broad, general rule (you may be the exception), you can learn three new vocabulary words and three grammar points a day. A grammar point is something like: "be going to" can be used, among other things, to make a prediction about events outside your control, as: "It is going to rain tomorrow."

This means you can learn about 1000 words a year and a portion of the grammar to use them correctly. But you'll need about 10,000 words to communicate effectively in everyday situations. Do the math. Now buy all the patience you can afford, and start studying every single day. Although adult responsibilities will conspire against you, try to keep it a priority.

Language involves four skills: reading, writing, listening, and speaking. For most people, speaking is the hardest. This is because we do most of our language learning by reading and writing. Your boring workbook serves a purpose: it's a fast, efficient way to learn.

Speech is instinctive for human beings. We have an area in our brain dedicated to speaking. But reading and writing are not instinctive, and what we learn by reading is stored in various parts of the brain. In order to speak, you have to transfer that information to the speaking area of the brain. You make the transfer by actually speaking.

The more you speak, the more you transfer. If you have to chose between speaking a lot but with errors and speaking much less but with perfect grammar, speak a lot. The errors tend to work themselves out with a little attention, but the transfer is the crucial part.

You've probably heard that young children learn foreign languages easily and naturally. Yes, they do. But they're only learning to speak and listen, and you're also learning to read and write the foreign language, so you're outpacing them. And you have more patience and concentration than a four-year-old, so you can keep learning when it gets laborious and unnatural, rather than going off to play with your Legos.

In the end, it's worth all the effort and time, even if you don't learn as much as you had hoped. Language is the oldest and most complex human technology in existence. Learning even part of another language will make you smarter, wiser, and happier. But that's a topic for another post.

— Sue Burke
(Also posted at http://www.sue.burke.name)

mount_oregano: portrait by Badassity (Picasso)


Paella may be Spain's best-known dish, but there is no single paella recipe. In fact, paella is technically the name of the cooking pan — a wide, shallow, flat, two-handled steel skillet — not the saffron-spiced rice dish itself.

Since I live in Spain, of course I make paella. There are a few secrets to an authentic paella can share, and a few myths I feel duty-bound to dispel.

All this, plus a recipe for Valencian Paella (with or without snails), is in this month's front-page article on my professional website: http://www.sue.burke.name

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